
DURGA MENON
Psychodynamic Psychotherapy | Nature-based Practices

Art Credit: Canva Designs
The artwork represents re-imaging queerness as a desire for love in the endevor of re-inventing and finding the self in relationships that seek freedom in their expression and way of being while bearing the reality of chlallenging patriarchal norms on love, relationships and identity.
Queer Kahaani (क्वीर कहानी)
A Lived Experience Archive
Second Edition (2026)
Queer Kahaani has evolved from its first edition bringing stories that confront oppression with critical thinking, embodying queering as daily practice and radical ways of knowing the self and love. The authors of these stories share their experiences of growing up, finding their identities and re-imagining queerness as a guide.
QUEER KAHAANI (क्वीर कहानी)
Click on the collaboration theme that interests you
Imagination as an abode for Queer Love
Queerness as a way of Breaking Bread
Queer as a Stream of Consciousness
Queer as a Mosaic and a Mirror
The Binding Invisible rules of being Queer
Virtuality as a playground for Queer Joy

Sheen (she/they) shares her poem
-For my Haru-
To the one i never saw the face of
Have you no pity ?
I burn in your wake
Have you no mercy?
I now dream of you in daylight
Shall i blame you more
Or shall i blame the ones who you left for
For peace and silence
You have left me barren
With nothing of note
But memories of conversations unhad
Should i go burn the streets which turned you away?
Will that be of anything but shame
To know a world without you is all that is my name
Oh dear of mine will i ever see you
Again?
In another life will i get to shake you awake
Or will you stay
Will the world be any less cruel to us?
In another life,
Will we get to just be?
Lovers and companions without restrictions
A place where our living is mundane
And nothing of shame
Will i ever live with you, without this pain…
My dear “day” i wish to see you
Once again
When we are free
Where we are loved and love
Always?
THEMES
When I asked Sheen, she says that she speaks about the erasure of bisexual individuals that finds its traces in the stanzas that carry a tone yearning, while addressing the anger and pain faced by discrimination towards non-binary and trans people. She speaks of love and humanity feeling like a cruel dangling carrot for those who live outside the margins, and yet finds tenderness in love as a plea for keeping 'Heru' in mind. Imagination and fantasy become important spaces for queerness to continue unperturbed so its vitality reminds us of why erasure cannot so easily shake the fierceness of love in a time that discrimates and villanizes the community.

Queering Sh*t Up
G says,
The faggots, passing as men, procure spaces all over the devastated city. Although the men have divided all the city space up and given each space a name so it could be used for only one purpose, the faggots turn everything they can get into spaces to live in and to eat in and to love in.
The queens elaborate their dens in the rubble to create hidden places where one can live for long periods of time safe from the cold, sharp eyes of the men. And they elaborate their forms of outrage.
~ The Faggots & Their Friends Between Revolutions; Larry Mitchell & Ned Asta
Next to you I do nothing
to perfect my safety
~ Nightletters; June Jordan
The world has attributed an extraordinary quality to the word ‘love’, ingrained it into the minds of people and unnecessarily dimmed the purpose of men and women living together–consequently, for the sake of love, people lead a troubled life lacking pleasure and satisfaction. We seek to destroy this.
~ Love, from Why Were Women Enslaved?; Periyar, tr. Meena Kandasamy
**
When I say that I am queer, I am often asked what I identify as. As, over the years, the labels that I have attached to myself and found comfort in have shifted, ‘queer’ has been a resting place, always there with open arms, allowing me to breathe in its comforting expansiveness as I get tired of performing and trying to belong to labels and groups. It allows me to be, to be just a person, to transcend the pressing weight of always-there societal boundaries and norms which is ever-ready to smother you under its crushing weight if you so much as let up an inch.
So, what does it mean, then, to be queer? Having thought about it for some time now, I have come to disagree with the question itself (which queer also allows). Queerness, for me, now, is located in the becoming and doing, rather than being. It has come to mean to me the act of allowing complexity. It is the act of caring, and caring deeply. It is wearing my heart on my sleeve, refusing to let go of softness and tenderness, even when the possibilities of hurt and heartbreak threaten to take me over. It is to dare to want the world. To want goodness, and to dream of it, and to think it possible. Not that it is to transcend today, but to live, or try to live, as if the tomorrow of the dreams were today. A refusal to give up on hope.
It is also to me a kindness that one shows to oneself: I allow myself multitudes. I allow myself hatred, ill-feeling, bitterness. I hold on to the grudges of abuse (of care). And I thank my friends, profusely, as I explain to them that I am not doing it as a matter of formality but as a refusal to take them for granted.
Queerness is that act which resists containment. I try to be open. I want to be as expansive as ‘queer’. I want to bring to others the comfort that queer brings me. The rest that queer has enabled me, I want to make possible for others.
It is also to allow myself, and others, to be and do more than queer. Queer is, after all, only one of the things that I am, that I do. It may intersect, and entwine, with other things and interests and doings but it need not be all-encompassing. It is the possibility of being and becoming more than just (anything). To fall back on the contemporary cliché, it is to “yes and” instead of “but also”.
There are surely those who disagree with what I have to say and think of queerness on many, or perhaps, all accounts. And we would stand equal in our queerness. It becomes, in that sense, a deep challenge, or different possibility, to capitalism, for its sheer capacity to accommodate.
To queer is to invite people into politics. To allow for mistakes. To allow ourselves and others the possibility of expansion, transmutation, difference. To sit beside people with disagreement. To let people be. To refuse satisfaction at mere loosening of noose-like rules (legal, social and any others). To want abandon - in everything. To refuse absolutes. To want, want, want want wantwantwant. To refuse the denial of wanting. To dare to want (which I am still learning to do). To want to be seen. And also to want to just hide. To want to live in a commune. And also to want to have a room of my own in it. To want a world of no coming-outs because what is there to come out from. To be staunchly against marriage and to rally for marriage equality. To let people save themselves, and hold them through it. To step back, as much as step in, in care.
To want to carry chairs and tables. To get on the said chair to put up a poster or that flag. To hold open the door for someone out of muscle memory and yet feeling a shimmering sliver of joy at doing so. To flirt outrageously, or not-so-outrageously, with friends. To adore friends with full passion.
Queer is also the ugly laughter of sheer helplessness upon the betrayal of those you had considered safe. It is the moment when all feelings burst out in tears, shared with those who have been similarly betrayed. It is to hold onto each other. It is to cry angry tears and feel angrier yet at the loss of articulation. It is to gossip and accrue bad name for it, but to continue gossiping because what other way do we have to warn our fellow queers of the dangerous ones.
It is to love cats. To recognise and keep running into people that you've matched/unmatched with on Hinge. To stop yourself just short of wondering whether you're queer enough. It is to tell myself that I do not have to be friends with every single queer person while wanting to be friends with every single queer person. It is to be envious of that cute fellow’s cute-cute piercings because you want to run your tongue over them and also because you want one of your own. And then wondering whether you could even pull it off. And in the same breath thinking, fuck it, who cares. And wanting to look pretty. And also wanting to fuck looking pretty, or even just looking. And everybody stop looking at me right now; and looking up to realise, whoosh, sigh of relief, nobody is looking at me; and also wouldn't it be nice if someone somewhere did and we shared a smile. And it is to love love love cats.
And I'm so tired of identifying and identifying and identifying and identifying and can I please just be and do and not keep isolating myself in identifications and definitions? So these days, when they ask me what I identify as, I say, queer, that’s it. And smile what is hopefully an aggressively don't-ask-me-any-more-questions smile.




THEMES
G speaks about the unique experience of identification as an exercise, endevour and a performance at the cost of enjoying the frightening freedom of queering daily practice. Here, G works through balancing fantasy of queenress with the complexities of making queering a part of their life. This experience elucidates imagination as a container for vitality, removed from decision paralysis ( a see-saw of 'knowing' and then 'not knowing').
G glances away from the mainstream dialogue on gender politics by using their words to understanding how to navigate patriarchy through choices that are rooted in finding joy in the day to day. G attempts to deconstruct and reinvent a tapestry of their own where she draws from the euphoria of their daily practices that feel as elating as the word Queer.
G speaks of Queerness as a language that pushes boundaries believing in the power of expansion as a way forward. She questions structures that attribute power to dominant thinking that leaves creative thinking on the margins, to destabilize these structures by simply calling upon desire. To know that she can speaks of their ravenous hunger for liberation recklessly and fully.Here, G uses their verbosity to demand visibility by laughing at the ridicule of queer erasure. This gutteral laughter symbolizes the absurdity of the times we live in, where G begs for conversation and belonging by simply asking us to have questions, than to seek answers.
She speaks of the 'Queer' as an unapologetic freedom that begins with getting comfortable with knowing and then not knowing. She desires living life fully, where being human is knowing that being flawed is not faulty but honest. This is where she believes that the taste of authenticity and liberation lies.
Saksh says,
My life as a psychologist who is a closeted queer person (for safety reasons) has been alright. I remember feeling attracted towards other girls as early as when I was in high school. There was this beautiful girl next to my class who I liked. It was an all-girls convent school, which made it even more awkward. ‘Why am I liking girls? Aren’t I supposed to like boys only? I’m literally in a girl’s school! What would they think of me if they found out?’
I remember when certain girls used to get teased which terms like ‘lesbian’ in a derogatory way. It used to happen when they held other girl’s hands for longer. And then came rumors about how they saw two girls making out in the washroom. This one is a classic in girls’ schools.
I met a cute girl online during Kik days, 2013, who was American. I fell for her so fast and we used to talk a lot, despite the differences in time zones. I recall asking my sister ‘what if I fall for a girl?’ as a hint and she simply laughed, asking if I like girls. Of course, I said I was joking, I had to. That’s where my bisexuality came into play. Soon after, I started going out with girls, texting them, and enjoying the thrill that came with sending risky texts and getting the same energy back (sometimes).

THEMES
Saksh talks about early stages of exploring queerness where intimacy and identity are in dialogue with Saksh's experience of the self. Here the uncovering of specific streesors related to being bisexual are drawn from Saksh's experience of adverse vicarious experience along with Saksh's testing reality to know the risk and adventure of 'coming out'.

Fast forward to junior college, when I experimented with labels shortly after my fat loss program – which is something really important to me as a life goal. Androgynous, genderfluid, gender non-conforming… so many labels to choose from. Which one was me? That’s when I read about being transgender. The definition fit me well, but did I really want to identify as one? Maybe.
And then I came across the term non-binary. A true game-changer, for someone who never felt like a girl, felt too uncomfortable being called a man, could not relate to being labelled a tomboy by my peers. I remember coming out on my Instagram stories and my literature professor congratulating me in my first year of Bachelor’s degree.
Soon, I started exploring hairstyles. Pixie cut, military cuts, or a simple, short cut. My mother HATED it. I recall feeling that dread while going and coming back home after a fresh cut, knowing my mother would be waiting for me and emotionally abusing me. My dad already gave up after a few attempts of ‘straightening’ me (Haha). Once, I had a cut after covid lockdown where my hair looked like a bird’s nest and really needed to be groomed. As soon as I get home, I hear my mother screaming after she looked at my freshly cut hair.
Threatening to leave, banging things and screaming at the top of her voice for an hour straight. I had the worst anxiety during covid, to the point that I started experiencing psychosis from stress, and OCD-like symptoms. I was later diagnosed with Generalized Anxiety Disorder. It has been four years since that yelling, and I still feel a tiny amount of that dread when I go for a hair trim (I’ve grown my hair out now due to hair loss). I have a way better relationship with my hair now, and my gender identity.After struggling with my identity (and chronic depression, anxiety and CPTSD) for years due to societal standards and labels – yes, even queer people hold themselves to those, unfortunately – I found out that I feel better without any conforming roles or fitting into a particular label. ‘I’m non-binary, so I must dress more androgynous’ ‘I should have discomfort with my chest’ and more such beliefs were hurting me. I stopped looking at social media and started with self-exploration; how I feel comfortable, with who I feel better and set boundaries for myself.

Saksh continues,
As a psychologist, I am queer-affirmative in my practice. I also hold space in facilitating bi-weekly mental health queer support groups, offline in Mumbai and online for free. It does pain me to come across old psychiatrists and other professionals in the field call queerness a ‘western culture influence’ and how it ‘affects our mental well-being’, despite the DSM removing homosexuality as a mental disorder.
Even gender dysphoria as a disorder is no longer needed as a diagnosis to proceed with gender-affirmative medical healthcare – which mainly includes surgeries and hormone therapy. As professionals, I believe we are highly responsible for the care we provide for people, and that its very important for us to address these biases interfering with therapeutic relationships.
Holding them will create discomfort, hamper the process and may even lead to losing clients. I am still forced to stay closeted IRL and professional spaces because of the fear of staying unemployed forever and safety reasons. But I don’t let it affect me as I surround myself with a lovely online community – a handful of them in my city – and words of unconditional love, acceptance and respect for myself. I am in charge of my destiny and identity.
To anyone else reading this and struggling with your queerness, please know that you are not alone and being YOURSELF is super important! Also, surrounding yourself with community support. We are together in this.

THEMES
Saksh mentions working in the field of mental health as a reminder of what the responsibility of one's voice can do in breaking structures within the system that view queerness as something that needs to be cured. Saksh draws from the boundaries of the online world where knowing what destiny and identity can be remains playful, creative and hopeful.
(Ethics of Collaborating: Disclosure must be a safe and ethical process to encourage creativity and quality of collaborative work. Each collaborator's permission was taken before online publishing, along with their right to request removal).